Listening, thinking of nothing, simply living in the sound of the night, the world seems more alive; the dusky green of field and hedge a monochrome greyish-silver in the pale light, the telegraph poles stark black throwing spooky shadows across the fields. A Barn Owl hunting along the edge of the wood - ghostly white. All is quiet - silver-washed tranquility.
I paused for a moment to look out over the marshy fields - a dull flat grey-green in the late autumn evening; almost night. The sun had set and white trails of mist followed the course of the river. A few Magpie were chakking noisily in some willow scrub. Starkly black and white. I counted - one for sorrow, two for joy, three for a girl, four a boy - a few more flew in - eight for a wish, nine for a kiss ... and then more - twenty, thirty, forty - from all directions. One hundred, two hundred, I lost count; now too dark to see ...
What better introduction to Spring than this quotation from the writings of Richard Jefferies.
"The bird upon the tree utters the meaning of the wind—a voice of the grass and wild-flower, words of the green leaf; they speak through that slender tone. Sweetness of dew and rifts of sunshine, the dark hawthorn touched with breadths of open bud, the odour of the air, the colour of the daffodil—all that is delicious and beloved of springtime are expressed in his song. Genius is nature and his lay, like the sap in the bough from which he sings, rises without thought". —’ Field and Hedgerow’: Hours of Spring. Richard Jefferies
Summer for me starts with the first of the Spring and Summer migrants - Swallow, Whitethroat and Chiffchaff, although the very early ones of the latter may have overwintered. Soon followed by Swift, which for almost as long as I have been in North Wales - 25 years now - have turned up on May 12th.