The ‘Beauty of the Moment’ – in art and anecdote, poetry and prose
A Calendar of Haiku - March
... a shepherds warning. Or is it a Welsh Dragon belching fire from the mountains! ...
Mistle Thrush sing from the Churchyard Yews on a blustery morning, in early March - the sky a fiery red just before sunrise.
Listening, thinking of nothing, simply living in the sound of the night, the world seems more alive; the dusky green of field and hedge a monochrome greyish-silver in the pale light, the telegraph poles stark black throwing spooky shadows across the fields. A Barn Owl hunting along the edge of the wood - ghostly white. A Curlew calling.
Originally posted on March 9, 2019 @ 2:47 pm
For many musicians and composers birdsong is the ultimate musical composition - yet is it music: Birds use variations of rhythm, relationships of musical pitch, and combinations of notes that resembles music, but without fixed musical intervals, as on a scale, there is a chaotic randomness to their singing.
Continue reading Birds in Music
Originally posted on March 9, 2019 @ 2:47 pm
The Magic of Birdsong: A fine fresh morning - the sun streaming through the bedroom window - slightly open, the red and white gingham curtains moving gently in the morning air - dust motes caught for a moment - faerie dust, shining like tiny golden stars; the incessant chatter of House Sparrow and the garbled chuckling, whistling and mimicry of Starling from the cottage eaves and chimney pots; Green Woodpecker laughing from the nearby Ash; And Cuckoo calling from the copse across the fields - a Messiaen symphony. The scent of early spring - apple blossom and garden flowers in the warming sun. A heady romance. A childhood memory as real now as it was then - For this moment at least I am transported - there in the trees and fields around - what is that if not magic ... the magic of birdsong.
Originally posted on March 6, 2019 @ 10:05 pm
What better introduction to Spring than this quotation from the writings of Richard Jefferies.
"The bird upon the tree utters the meaning of the wind—a voice of the grass and wild-flower, words of the green leaf; they speak through that slender tone. Sweetness of dew and rifts of sunshine, the dark hawthorn touched with breadths of open bud, the odour of the air, the colour of the daffodil—all that is delicious and beloved of springtime are expressed in his song. Genius is nature and his lay, like the sap in the bough from which he sings, rises without thought". —’ Field and Hedgerow’: Hours of Spring. Richard Jefferies
