Listening, thinking of nothing, simply living in the sound of the night, the world seems more alive; the dusky green of field and hedge a monochrome greyish-silver in the pale light, the telegraph poles stark black throwing spooky shadows across the fields. A Barn Owl hunting along the edge of the wood - ghostly white. A Curlew calling.
For many musicians and composers birdsong is the ultimate musical composition - yet is it music: Birds use variations of rhythm, relationships of musical pitch, and combinations of notes that resembles music, but without fixed musical intervals, as on a scale, there is a chaotic randomness to their singing.
Continue reading Birds in Music
A Calendar of Haiku - February
[…]It is the February summer that comes, and lasts a week or so between the January frosts and the east winds that rush through the thorns [...] Richard Jefferies - Life of the Fields 1899
Birds From My Kitchen Window ... I rush from window - to window - to window, as birds fly quickly from one feeder to another, chased off one by a Magpie, giving way prudently to the Woodpecker as he flies down from the nearby Poplar; ousted from another by a horde of hungry Starling, flying in from the fields ...
Songs of Wild Birds
Beatific in its own right birdsong often ‘springs the catch of memory’ - like dandelion clocks drifting in the air, catching the sun ... [a] timeless immersion within a ‘spirit of place’ ...
Mistle Thrush from the Churchyard Yew - the piper at the gates of dawn. Black swift screaming jet-like across a cloudless blue sky, the afterburn of their passing an echo in the still air - a fine fresh spring morning. The gentle purr of Turtle Dove from a nearby copse - lazy hazy summer afternoons. Or the ever present song of Yellowhammer, singing when all others have ceased - the hayfield in the early evening.