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Winifred Marie Louise Austen

A Parliament of Rooks by Winifred Marie Louise Austen, 1876 - 1964

Winifred Maria Louise Austen (1876 - 1964) - was an English illustrator, painter, etcher and aquatint engraver. She was widely admired and collected; even the naturalist Sir Peter Scott – himself so able a wildlife artist – said Austen was, ‘certainly the best bird-etcher of this (last) century’.

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Wagtail All

Wagtail by Tracy Hall

Walking upstream from the bridge the stream ceases to be tidal, and turns into a lovely clear running stream with a gravel bed. A flash of yellow; a beautiful male Grey Wagtail bounds away to alight on a boulder under the bank, the reflection of its brilliant yellow plumage in the pool beneath more evident than the bird itself. Another flies to join it at the waters edge - a female - less yellow and without the black bib - their pendulum swings of the tail in ceaseless unison ...

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A Carousel of Birds

Yellow Wagtail by A W Seaby

A Carousel of Birds ...

My chief delight is in nature, and when I look at a picture it is to find something about nature in it, especially some expression of the feeling produced in us by nature, which is, to me, the most important thing in life ... Adapted from  W H Hudson - 'Afoot in England’ - 1909

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David Morrison Reid-Henry

Teal in Hard Weather

David Morrison Reid-Henry (1919 – 1977) - This post is one of a series of short biographies about artists and writers inspired by Nature and the Countryside and whose works have fostered my own love of the Countryside - especially Birds.

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Murder, Mischief and Murmurations

Raven by A W Seaby

I paused for a moment to look out over the marshy fields - a dull flat grey-green in the late autumn evening; almost night. The sun had set and white trails of mist followed the course of the river. A few Magpie were chakking noisily in some willow scrub. Starkly black and white. I counted - one for sorrow, two for joy, three for a girl, four a boy - a few more flew in - eight for a wish, nine for a kiss ... and then more - twenty, thirty, forty - from all directions. One hundred, two hundred, I lost count; now too dark to see ...

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Artists Inspired by Nature – Leo Paul Robert

Leo Paul Robert: Whitethroat

Leo Paul Robert (1851-1923) - was the most highly regarded Swiss ornithological artist at the turn of the century. But he only established a reputation as a landscape painter and painter of birds later in his career.

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Waders in Wales

From winter beaches to summer moorland and woodland, Wales provides essential habitats for waders. There are over forty WaderTales blogs so far. Here’s a selection of ten that may well appeal to birdwatchers in Wales. Winter beaches & estuaries Wales holds important populations of waders in the wintertime – everything from Bar-tailed Godwits from Siberia to […]

via Wales: a special place for waders — wadertales

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The Art of the Postcard

Chaffinch by David Morrison Reid-Henry

The Art of the Postcard .....

The art card is probably the most important category in antique postcards. Think of these cards as 3 1/2" x 5 1/2" original high quality prints, which they are, instead of as postcards. Artists could make extra income by selling postcard prints of their work. This booming market drew the very best artists, creating a wealth of quality material unmatched in the art world.

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Signs of Spring

SIGNS OF SPRING
Rebecca Welshman

Jefferies’ field notebooks are full of references to the passing seasons. Each year he carefully noted the first signs of spring and summer and found happiness in the visible tokens of the seasons as they returned.  As he wrote in The Open Air “I knew the very dates of them all—the reddening elm, the arum, the hawthorn leaf, the celandine, the may; the yellow iris of the waters, the heath of the hillside. The time of the nightingale—the place to hear the first note.”

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Badmin, Stanley Roy

Artists Inspired by Nature - S R Badmin RWS RE AIA FSIA (1906-1989)

I don’t know the title of this painting but it’s a lovely pastoral picture painted I guess sometime in the late 1940s early 50s. The cows appear to be red and white which helps date the picture perhaps to before 1950, as black and white Friesian cows didn’t become popular until then. It is most likely somewhere in the south of Britain - like the South Downs. Like many of his paintings of rural life there’s a lot going on. I think it depicts a time of change in agriculture as there are both horses and tractors working with a traditional hayrick in the mid-centre of the painting while in another field there seems to be a tractor and baler.

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