Art in Nature

via Belonging and Landscape – when I first read Richard Jefferies — Moments of Place by Rebecca Welshman Moments of Place

[…] There were grass-grown tumuli on the hills to which of old I used to walk, sit down at the foot of one of them, and think. Some warrior had been interred there in the ante-historic times. The sun of the summer morning shone on the dome of sward, and the air came softly up from the wheat below, the tips of the grasses swayed as it passed sighing faintly, it ceased, and the bees hummed by to the thyme and heathbells. I became absorbed in the glory of the day, the sunshine, the sweet air, the yellowing corn turning from its sappy green to summer’s noon of gold, the lark’s song like a waterfall in the sky. I felt at that moment that I was like the spirit of the man whose body was interred in the tumulus; I could understand and feel his existence the same as my own. He was as real to me two thousand years after interment as those I had seen in the body. The abstract personality of the dead seemed as existent as thought. As my thought could slip back the twenty centuries in a moment to the forest-days when he hurled the spear, or shot with the bow, hunting the deer, and could return again as swiftly to this moment, so his spirit could endure from then till now, and the time was nothing […]

time is nothing here
 never-ending transcending
 eternity now

Artist Credit The Featured Image is of ‘The Wittenham Clumps’ by Paul Nash. He was passionately drawn to places in the landscape with ancient, mystical connections such as the Avebury stone circle and The Wittenham Clumps, and painted them many times