Looking out the kitchen window the first snow of winter on the mountains, black twigged hedges casting frosted white shadows, that stay all day, across the fields; a hunting Sparrowhawk flips over a nearby hedge disturbing a flock of Fieldfare, their gun-metal blue heads shining in the afternoon winter sun as they rise as one circling the field before settling back on the hedge.
(Composed during the snow-thaw of last month…) As I sit here, goldfinches glance across the skies outside the window, their ‘charms’ like the bounce of iambic pentameter written with wings. They turn towards our garden, and immediately, their syntax becomes jumbled by a shift and gather of chaffinches – with an adjunct of sparrows tumbling in like a hurried conclusion. […] See Also: Our Northen (Winter) Thrushes
Wandering alongside an autumn hedge all yellows, browns, reds, pinks and purples my eye was caught by a bright flash of orange-red ahead of me; a Redstart - its wings flapping in a blur; its tail fanning out - orange-red as it hovers and snatches at a fly. It lands on a fence post, standing upright, its tail shivering. An adult male. Then up it jumps again snatching at another passing insect and lands on a dead branch further along - it’s fiery tail and ‘tweet-tut’ fretting call teasing me on ...
Our Northern (Winter) Thrushes - Redwing and Fieldfare
It’s Autumn: the time of year when the ‘chakking’ calls of Fieldfare in the hedgerows in the frosty early morning, preceded by the ‘seep seep’ night-time calls of migrating Redwing announce the arrival of our Winter Thrushes. They arrive anytime from late September but it’s not until the frosts of October and November that we begin to see them en-mass in the fields and hedgerows.
Another post in my series of short biographies about artists and writers inspired by Nature and the Countryside: Allen W. Seaby (1867-1953), watercolorist, woodcut artist, author, and illustrator.
Allen Seaby was born in London on May 25, 1867, the son of a cabinet maker and carpenter. He studied color woodcut with Frank Morley Fletcher, a pioneer in England of woodblock color printing by Japanese methods, at the School of Art, Reading University. Seaby joined the staff of the University of Reading in 1899 where he became professor of fine art and later head of the art department.