Poetry and Prose

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Welcome to my poetry and prose pages. A scrapbook of ideas and musings of original poetry, and prose. Some will find, or have already found, their way into my blog.

This page is still under construction so I apologise for any errors - I’m working on it!

Poetry and Prose

I was once asked if I wrote from experience or from imagination - I replied both: my writing is inspired by nature, art, and memories of real events, times and places, coloured by imagination - vivid pictures painted in words ...

Most of my poems are a modern take on the ancient Japanese poetry form of haiku. So I’m chuffed to say the following haiku have been published in the Spring and Summer issues of the Wales Haiku Journal edited by the award-winning haiku poet, Paul Chambers, and is published in partnership with the Wales Arts Review.

red skies -
from wind-tossed trees
stormcock sing

drifting snow –
shattering the silence
a Wren sings

And another, as yet unpublished, written as I did a daily run from home to Beddgelert this summer along an ancient country lane bordered for the most part by dry stone walls. Pied Wagtail were everywhere on the walls and road and would flit up on passing. I pulled over to let some tractors go by ...

wagtail flit
between stone hedges -
tractors roar past

Looking out the kitchen window one late spring evening ... I was minded of the classic poem ‘Leisure’ by W H Davies, which included the lines:

[...]No time to stand beneath the boughs,
And stare as long as sheep and cows [...]

Here is my take:

swallows twitter
among the sheep ‘n cows -
we stand ‘n stare

I’ve turned it on its head rather!

Here is a variation ...

swallows twitter
among the sheep ‘n cows -
rain stops play

And here are a few haiku written ‘on the spur of the moment’ - inspired by the weather and the rhythm and romance of the seasons ...

swift scream
across thundery skies
on wing to Africa

linden blossom
scent the streets
coffee for two

starling murmur
a babel of voices
from distant lands

The following has proved elusive and challenging. An attempt to express Richard Jefferies’ awe and wonder in the paradox of nature (using his words) - it is both timeless yet finite - our own time on earth fleeting - encapsulated in a single moment or moments - and his frustration at our futility in imposing an artificial sense of time. He was little understood - so in a sense a lonely person.

sunrise
clocks tick
timelessly

sunrise -
clocks tick timelessly
passing the hours of spring

sunrise -
clocks tick timelessly
passing the hours

sunrise
clocks tick timelessly
a leaf falls

sunrise
shadows lengthen
a leaf falls

I hope I’ve ‘got it’ this time.

Here is another inspired by Richard Jeffries - who may have also been aware of the haiku by Matsuo Basho, which begins ... “A flower unknown ...”

[...]The rich blue of the unattainable flower of the sky drew my soul towards it, and there it rested, for pure colour is rest of heart [...]

heavenly skies
reflected in butterfly wings …
a lark ascends

Here are some words written by Julian Huxley in his introduction to 'Songs of Wild Birds' by E M Nicholson and Ludwig Koch and published as a text with illustrations in the form of sound, by H.F.& G Witherby Ltd in 1936. The poem is mine.

Songs of Wild Birds

‘ ... When I first heard his records I was immediately struck by the way in which they called up the natural environment of the singers. As the Nightingales voice escaped from its ebonite prison under the touch of the needle and the scientific magic of the sound-box, I felt myself transported to dusk in an April copsewood. The clear notes of the Cuckoo with their blend of clear spring feeling and irritating monotony, the Chaffinch's simple and cheerful strain, were equally evocative; and with the laugh of the Green Woodpecker (a triumph to have recorded this!), the yellowing July fields and darkening green of July woods were in the room. ...’

wild birds
captured on vinyl …
sing indoors

Here’s a haiku in the form of a riddle ...

a blush-pink morning, mirrored in feathers — bumbarrels
[...] At the edge of the wood early catkins - lambs tails - tremble and dance, sprinkling yellow gold-dust over the snowy branches. A small party of Long Tailed Tit tinkle through the delicate filigree of branches outlined against the early morning winter-spring sky [...]

Artist Credit

The featured image of straw bales on a hillside is from an original oil on canvas by Helen White. A classic sight towards the end of the summer – and a favourite subject of hers – light-filled  bales laid out in the fields against the backdrop of contrasting patchwork fields.

Here is a link to her Art Web Site. She paints stunning pictures so do take a look ...

Helen White

Helen is a professional artist mainly working in oils, more recently with digital media. Light is a particular theme. She has other blogs where she writes about health and healing and life experiences.


More Coming Soon ...

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