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The Art of the Postcard

Chaffinch by David Morrison Reid-Henry

The Art of the Postcard .....

The art card is probably the most important category in antique postcards. Think of these cards as 3 1/2" x 5 1/2" original high quality prints, which they are, instead of as postcards. Artists could make extra income by selling postcard prints of their work. This booming market drew the very best artists, creating a wealth of quality material unmatched in the art world.

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Turn! Turn! Turn! (To Everything There Is a Season) …. Autumn

Autumn by Hugh Brandon-Cox

As Summer Leaves Fall ....

September

The thing I notice most at the beginning of Autumn is that it is still dark when I get up in the mornings to let the dogs out. With mist over the meadows and dewy morns. Rowan berries aplenty; Blackberry too. Red hips and haws colour the hedges a rusty red. And Rosebay Willowherb their tall spikes lit by the evening sunshine, followed soon by clouds of gossamer-soft seeds, floating like fairies on the balmy wind: The end of summer.

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A Deceit of Lapwing – The Seven Whistlers

Lapwing by R B Talbot Kelly


Suddenly! Some chance movement has been noticed by the nearest Lapwing, and away they go at once as if with the same wings, sweeping overhead, then to the right, then to the left, and then back again, a ‘flickering chequerboard’. Wee-ah-wee! The notes immediately repeated by another - Wee-ah-wee! Finally they settle again ...

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Our Northern (Winter) Thrushes – Redwing and Fieldfare

Fieldfare (Winter Thrush) by A W Seaby

Our Northern (Winter) Thrushes - Redwing and Fieldfare

It’s Autumn: the time of year when the ‘chakking’ calls of Fieldfare in the hedgerows in the frosty early morning, preceded by the ‘seep seep’ night-time calls of migrating Redwing announce the arrival of our Winter Thrushes. They arrive anytime from late September but it’s not until the frosts of October and November that we begin to see them en-mass in the fields and hedgerows.

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In a Summer Meadow

Streamside meadow by the Windrush

Lying lazy in a meadow by a stream home to sheep ‘n’ cows and wagtail yellow buttercups dance in the meadow grass so high above kestrel hover a flit of swallow ... wild rainbow cast the summer breeze ‘cross grasses mix’d an artists palette red gold ‘n’ green finches twitter ‘n’ tweeze ...

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Artists Inspired by Nature – Rowland Hilder

The Downs - Rowland Hilder

Here, for all who know the Downs – their wandering pathways through fields of yellow and green, blue yet often lowering skies, are the Downs on an English summer’s afternoon. Rowland Hilder - The Downs. 

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An Ode to the Countryside

Morning has broken

As I walk through the countryside, in the footsteps of Richard Jefferies, on the Downs, Meadows and in the Woodlands,  I glance up into the blue sky: a Red Kite glides into view; a Harrier sails past over the reedbeds; a Barn Owl hunts the Woodland edge; a Blackbird sings ... 

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By a Brook in Winter

Brook: a snowy stream by Ann Mortimer

By a Brook in Winter - A fresh fall of snow overnight. I walk in a winter landscape: the green fields mantled white; the blackish branches of willow and ash, edged white, starkly outlined, against the morning light; mirrored in the dark brown-grey of the brook; the distant woods a purple haze against the blue-grey snow clouds above. My footsteps the only sound. 

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Artists Inspired by Nature – Charles F. Tunnicliffe, OBE, RA

Magpie by Charles F. Tunnicliffe, OBE, RA (1901-1979)

Charles F. Tunnicliffe, OBE, RA (1901-1979) was probably the best illustrator and bird portraitist of the last century. His work across a breadth of media – watercolour, pen and ink, woodblock engraving, etching and scraperboard – and across a variety of subject matter, has stood the test of time and is widely collected.

If you grew up in the fifties like me you probably read Ladybird nature books and collected Brooke Bond tea cards – all illustrated by Tunnicliffe. You might even have read the Puffin edition of Henry Williamson’s Tarka the Otter, with its cover and beautiful illustrations also by Tunnicliffe.

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Songs from the Wood

A Spring Wood Near Midhurst - by S R Badmin RWS RE AIA FSIA (1906-1989)


A pale cerulean-blue sky – crisscrossed with misty white vapour trails of planes - a modern art canvas; paint casually, thrown from the artists brush; white clouds tinged salmon-pink hanging over the blue-grey mountains; just before sunrise – white wreaths of mist lingering over the fields and valley wood mirroring the vapour trails above. A lone Buzzard calls ...

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