David Morrison Reid-Henry (1919 – 1977) - This post is one of a series of short biographies about artists and writers inspired by Nature and the Countryside and whose works have fostered my own love of the Countryside - especially Birds.
Another post in my series of short biographies about artists and writers inspired by Nature and the Countryside. Basil Ede was born at Bookham, Surrey, on February 12 1931, and developed his love of drawing at an early age, later on becoming widely regarded as one of the worlds great wildlife artists.
Eric Ennion (1900 — 1981) was born on 7th June 1900 at Kettering in Northamptonshire, the son of a country doctor. In 1904 the family moved to Burwell on the edge of the Cambridgeshire fens where, after studying medicine at Caius College and St Mary's Hospital, he joined his father's practice in 1926.
Winifred Maria Louise Austen (1876 - 1964) - was an English illustrator, painter, etcher and aquatint engraver. She was widely admired and collected; even the naturalist Sir Peter Scott – himself so able a wildlife artist – said Austen was, ‘certainly the best bird-etcher of this (last) century’.
Another post in my series of short biographies about artists and writers inspired by Nature and the Countryside: Allen W. Seaby (1867-1953), watercolorist, woodcut artist, author, and illustrator.
Allen Seaby was born in London on May 25, 1867, the son of a cabinet maker and carpenter. He studied color woodcut with Frank Morley Fletcher, a pioneer in England of woodblock color printing by Japanese methods, at the School of Art, Reading University. Seaby joined the staff of the University of Reading in 1899 where he became professor of fine art and later head of the art department.
Gordon Beningfield (1936-98) - Another post in the series of short biographies about artists and writers inspired by Nature and the Countryside and whose works have fostered my own love of the Countryside – especially Birds.
Charles F. Tunnicliffe, OBE, RA (1901-1979) was probably the best illustrator and bird portraitist of the last century. His work across a breadth of media – watercolour, pen and ink, woodblock engraving, etching and scraperboard – and across a variety of subject matter, has stood the test of time and is widely collected.
If you grew up in the fifties like me you probably read Ladybird nature books and collected Brooke Bond tea cards – all illustrated by Tunnicliffe. You might even have read the Puffin edition of Henry Williamson’s Tarka the Otter, with its cover and beautiful illustrations also by Tunnicliffe.
Hugh Brandon-Cox (1917 - 2004) - This post about the Artist, Writer and Explorer, is one of a series of short biographies about artists and writers inspired by Nature and the Countryside and whose works have fostered my own love of the Countryside - especially Birds.
The art card is probably the most important category in antique postcards. Think of these cards as 3 1/2" x 5 1/2" original high quality prints, which they are, instead of as postcards. Artists could make extra income by selling postcard prints of their work. This booming market drew the very best artists, creating a wealth of quality material unmatched in the art world.
(Composed during the snow-thaw of last month…) As I sit here, goldfinches glance across the skies outside the window, their ‘charms’ like the bounce of iambic pentameter written with wings. They turn towards our garden, and immediately, their syntax becomes jumbled by a shift and gather of chaffinches – with an adjunct of sparrows tumbling in like a hurried conclusion. […] See Also: Our Northen (Winter) Thrushes
Welcome to my Blog – a celebration of birds – in art and anecdote, poetry and prose – part memoir, part anthology, part nature writing, with biographical snippets about favourite artists. Follow me as I ramble through the year writing about the birds I see – share your own encounters with birds, or tell me about your patch … More
2019 / 19 Mild 10-12°C, moderate cloud but mostly clear. Very windy W/SW 13:30 – 14:30 Woodside in today, just for an hour at lunchtime while I m working at Whitenap 4 miles north east. It’s VERY windy again, but relatively sheltered here. An opportunity to see and admire the most splendid magnolia – each […]
Arcturus and the Foxes. For the first time since October, blackbird song woke me before my alarm; a bar had been crossed. The strange, unprecedented February heatwave triggered synapses alert to a season far more advanced than it actually was. It tripped a search, all senses primed, for joyful, familiar markers, a litany learnt and […]