An early morning walk down our lane in the December snow of last year - a Wren sings loudly from the briar by the field gate. Another churrs angrily from moss covered stones haphazardly filling a gap in the hedge ...
Reimagining Richard Jefferies
[…] See—the hawk, after going nearly out of sight, has swept round, and passes again at no great distance; this is a common habit of his kind, to beat round in wide circles. As the breeze strikes him aslant his course he seems to fly for a short time partly on one side, like a skater sliding on the outer edge[…]
Listening, thinking of nothing, simply living in the sound of the night, the world seems more alive; the dusky green of field and hedge a monochrome greyish-silver in the pale light, the telegraph poles stark black throwing spooky shadows across the fields. A Barn Owl hunting along the edge of the wood - ghostly white. A Curlew calls. All is quiet - silver-washed tranquility.
Richard Barrett Talbot Kelly (1896-1971)
R. B. Talbot Kelly (TK) is arguably one of the last centuries greatest and most sympathetic painters of birds - his paintings, masterpieces of delicacy and sensitive perception.
TK had a life long fascination with birds, and worked in a variety of media over a period of more than fifty years, watercolour, gauche, pencil, pen and ink, etchings and folded paper dimensional animals.
Reading Time: 6 minutes
The Haunting of Talland (Talland Red) - A Story for Halloween
It was one of those rare, beautiful, warm sunny days of early Autumn; the leaves rustled beneath my feet – a few picked up by the capricious breeze and swirled around in a mad aerial waltz, before being dumped to decay in some forgotten corner. It was 1949 - the year before I was born - and a hundred years after ... after what! Yet I was here, now surely, outside the church at Talland.
Lying lazy in a meadow by a stream home to sheep ‘n’ cows and wagtail yellow buttercups dance in the meadow grass so high above kestrel hover a flit of swallow ... wild rainbow cast the summer breeze ‘cross grasses mix’d an artists palette red gold ‘n’ green finches twitter ‘n’ tweeze ...
One early autumn evening, I was standing out of doors when the sun came out beneath a bank of dark cloud and lit up the weathered, soft blue-grey slate roof of our old barn. No sooner had the light fallen on it than a few Yellowhammer dropped down out of nowhere and sat motionless on the sun-warmed slates, with heads drawn in and plumage bunched out. It was as if the sun had poured a golden-coloured light into their loose feathers making them shine a bright canary yellow ...
Continue reading In Search of Yellowhammer, Corn and Cirl Bunting
Charles F. Tunnicliffe, OBE, RA (1901-1979) was probably the best illustrator and bird portraitist of the last century. His work across a breadth of media – watercolour, pen and ink, woodblock engraving, etching and scraperboard – and across a variety of subject matter, has stood the test of time and is widely collected.
If you grew up in the fifties like me you probably read Ladybird nature books and collected Brooke Bond tea cards – all illustrated by Tunnicliffe. You might even have read the Puffin edition of Henry Williamson’s Tarka the Otter, with its cover and beautiful illustrations also by Tunnicliffe.
Suddenly! Some chance movement has been noticed by the nearest Lapwing, and away they go at once as if with the same wings, sweeping overhead, then to the right, then to the left, and then back again, a ‘flickering chequerboard’. Wee-ah-wee! The notes immediately repeated by another - Wee-ah-wee! Finally they settle again ...
