Here, for all who know the Downs – their wandering pathways through fields of yellow and green, blue yet often lowering skies, are the Downs on an English summer’s afternoon. Rowland Hilder - The Downs.
Walking in the footsteps of Richard Jefferies ... “I was not more than eighteen when an inner and esoteric meaning began to come to me from all the visible universe, and indefinable aspirations filled me. I found them in the grass fields, under the trees, on the hill-tops, at sunrise, and in the night. There was a deeper meaning everywhere. The sun burned with it, the broad front of morning beamed with it; a deep feeling entered me while gazing at the sky in the azure noon, and in the star-lit evening —' The Story of my Heart’.”
Charles F. Tunnicliffe, OBE, RA (1901-1979) was probably the best illustrator and bird portraitist of the last century. His work across a breadth of media – watercolour, pen and ink, woodblock engraving, etching and scraperboard – and across a variety of subject matter, has stood the test of time and is widely collected.
If you grew up in the fifties like me you probably read Ladybird nature books and collected Brooke Bond tea cards – all illustrated by Tunnicliffe. You might even have read the Puffin edition of Henry Williamson’s Tarka the Otter, with its cover and beautiful illustrations also by Tunnicliffe.
Winifred Maria Louise Austen (1876 - 1964) - was an English illustrator, painter, etcher and aquatint engraver. She was widely admired and collected; even the naturalist Sir Peter Scott – himself so able a wildlife artist – said Austen was, ‘certainly the best bird-etcher of this (last) century’.
A Carousel of Birds ...
My chief delight is in nature, and when I look at a picture it is to find something about nature in it, especially some expression of the feeling produced in us by nature, which is, to me, the most important thing in life ... Adapted from W H Hudson - 'Afoot in England’ - 1909