……. Yonder, in the corners of the mead, the purple darkness of the awakening wood beyond, the atmosphere is full of some ethereal vapour. The sunshine stays in the air here as if the greening hedges hold the wind from brushing it away. Low and plaintive comes the notes of a Lapwing – the arrival of spring – an early Chiffchaff: ‘ Chiff-chaff, chiff-chaff, chiff-chaff, chiff ! ‘ – the double notes hanging in the still air … After Richard Jefferies.
As Summer Leaves Fall ….
The thing I notice most at the beginning of Autumn is that it is still dark when I get up in the mornings to let the dogs out. With mist over the meadows and dewy morns. Rowan berries aplenty; Blackberry too. Red hips and haws colour the hedges a rusty red. And Rosebay Willowherb their tall spikes lit by the evening sunshine, followed soon by clouds of gossamer-soft seeds, floating like fairies on the balmy wind: The end of summer.
Eric Ennion was born on 7th June 1900 at Kettering in Northamptonshire, the son of a country doctor. In 1904 the family moved to Burwell on the edge of the Cambridgeshire fens where, after studying medicine at Caius College and St Mary’s Hospital, he joined his father’s practice in 1926.
Charles F. Tunnicliffe, OBE, RA (1901-1979)
If you grew up in the fifties like me you probably read Ladybird nature books and collected Brooke Bond tea cards – all illustrated by Tunnicliffe. You might even have read the Puffin edition of Henry Williamson’s Tarka the Otter, with its cover and beautiful illustrations also by Tunnicliffe.
SIGNS OF SPRING
Jefferies’ field notebooks are full of references to the passing seasons. Each year he carefully noted the first signs of spring and summer and found happiness in the visible tokens of the seasons as they returned. As he wrote in The Open Air “I knew the very dates of them all—the reddening elm, the arum, the hawthorn leaf, the celandine, the may; the yellow iris of the waters, the heath of the hillside. The time of the nightingale—the place to hear the first note.”
via Signs of Spring
Winifred Maria Louise Austen (1876 – 1964) – was an English illustrator, painter, etcher and aquatint engraver. She was widely admired and collected; even the naturalist Sir Peter Scott – himself so able a wildlife artist – said Austen was, ‘certainly the best bird-etcher of this (last) century’.
GORDON BENINGFIELD (1936-98) – Another post in the series of short biographies about artists and writers inspired by Nature and the Countryside and whose works have fostered my own love of the Countryside – especially Birds.
This post about David Morrison Reid-Henry (1919 – 1977) is one of a series of short biographies about artists and writers inspired by Nature and the Countryside and whose works have fostered my own love of the Countryside – especially Birds.
This post about the Artist, Writer and Explorer, Hugh Brandon-Cox (1917 – 2004), is one of a series of short biographies about artists and writers inspired by Nature and the Countryside and whose works have fostered my own love of the Countryside – especially Birds.
Julian Hughes Bird Notes columnist of RSPB Conwy wrote a while back about Yellowhammer, Corn Bunting and Cirl Bunting, in the Daily Post I think, quoting an article from the Llandudno Advertiser sent to him by Adrian Hughes at Llandudno’s Home Front Museum.
Murder, Mischief and Murmurations
A Murder of Magpie
I am currently reading ‘Magpie Murders’ by Anthony Horowitz and was reminded of the childhood rhyme ….. one for sorrow two for joy …. and so on. I wonder what it would be for 200! For this was the number I counted, before it was too dark to see, coming to roost in willow scrub one winters evening near my home.
I squeezed in 20 minutes of birding (after work) and during the only blast of sunlight we have had all day illuminated the marsh. Soon after the early evening gloom closed the day away and we trudged to the bright lights of Christmas shopping. It was immediately obvious as we walked along the track on No.5 tank […]